




I’m feeling quite ambivalent. I had to say goodbye to Nguyet Anh, one-time student turned good friend (one of only two Vietnamese I can really call friends). She left for London today to go study English and then business at the London School of Commerce today. Anh’s the same age as I am and, although I was her teacher, treated me as a friend rather then her teacher (the norm being to put your teacher on a pedestal no matter what age he or she is). I admired that and since then she’s taught me a lot about Vietnamese culture, showing me around and helping us buy things that are not easily accessible to foreigners (or who usually get ripped off) and even taught me some of the few Vietnamese words I know. Her English isn’t fluent but has improved a lot since when she was a student (about 5 months ago).
Although only 23, she owned two art galleries in Saigon (she had to sell one to finance the move to England), and was studying full-time as well, yet she always had time to help us if we had a problem that needed a local hand or local knowledge.
She came to say goodbye this afternoon and bring Christoff and I some gifts. She bought me a beautiful tie, some munchies from her hometown in the countryside and three paintings from her galleries to hang in our style-deficient house. And meanwhile we were the ones who should have given her a gift to thank her for all she’s done. I feel really bad about that.
The ambivalence sprouts not from her leaving so much or my lack of a farewell present, but out of worry for her in London. It’s not just the English that will be a barrier but, even though I know London is probably the multicultural capital of the world, the culture will be a big problem. No matter how big Ho Chi Minh City is, the modern Westernised culture is not as widespread as many people think. Basically, most Vietnamese who have not lived abroad are ignorant and innocent to the evil wiles of the Western world (similarly, foreigners are ignorant – yet perhaps not as innocent as exploitative - to the Vietnamese culture). The Buddhist principles of generosity and kindness are saturated in the culture here. Anh’s no different. She’s just a genuinely friendly, innocent girl exposing herself to a barrage of different culture and ways – yin and yang – and I hope she can take the positive out of the experience. I’ve survived Nam until now (touch wood), but I didn’t have to face a foreign culture and language on my own…but ce la vie, such is life, bon voyage and may the sun shine on your travels…
This is probably the stinkiest stall in the whole Ben Thanh Market - and it's not just the fish, there are other unrecognizable creepy crawly things. Thought I'd share that with you. If there was a digital scratch 'n sniff, this would be the one you'd email people you REALLY don't like.
Although I arrived as the celebrations were finishing, there were still some kids soaking up the excitement and stuffing their little faces with Banh Trung Thu; (mooncakes) pastry filled with sugary everythings, from Chinese sausages and eggs, to durian fruit and strawberries. They also loved the Banh which is like a snackwich-shaped waffle on a stick. Nearly every child had a traditional long den - a type of paper lantern with a candle inside. The lanterns often turn from the heat of the candle and cut-out paper figures inside throw moving shadows on the lanterns walls, giving the effect from the outside of a shadow-horse galloping, or some animal or person moving, inside the lantern etc.
This is also a lucrative time of year for the big bakery syndicates in Vietnam who mass-produce mooncakes and sell them, in pairs of four, by the millions. Thousands of tons of mooncakes are sold in the month preceding the Mid-Autumn Festival and many more during it. Kinh Do and Ha Noi bakeries are two of the largest producers and set up shop on every major street in HCM City. Their mooncakes range from cheap to the more exclusive - such as imported mooncakes from China and South Korea (a batch of four could set you back about (VND 500 000 or $32).
Although Trung Thu is all about the kids having fun with a lot of myth and history supporting the tenets of the festival, it seems as though consumerism and commercialism is also taking its toll just like it does with Christmas in South Africa and other westernised countries. I bet Pick ‘n Pay and Spar have already put up their Christmas decorations, painted fake snow on the windows and put Boney M’s A Christmas Collection on repeat?
Or otherwise justifiably sad-looking ones
Even the usually happy hippo seemed a bit peeved
Godzilla in Paris? Probably the sequel